Digital Doomsday

oktober 27th, 2011

Leonid Tsvetkov

leonid tsvetkov

Remnants of our digital discoveries are being dumped worldwide by the millions. After stripping off some valuable metal parts, the left overs are worthless. So called ‘Motherboards’, the main circuit board of a computer have a short life expectancy since new chips are developed with singularitarian speed*. When exposed to a variety of chemical liquids they become alive again. Never before I’ve seen so much beauty in discarded trash. Oil refineries and skyscrapers surround city grids which are overrun by unknown fungi and bacteria. The Russian artist Leonid Tsvetkov creates landscapes which could become ours in a not so distant future, or as he describes it himself: ‘My work focuses on reshaping cultural waste and exploration of social and physical processes. I am interested in the moments where the hard edge geometry of the city becomes organic or there random activity begins to take a highly organized form’.

leonid tsvetkov

leonid tsvetkov

leonid tsvetkov

(*) Technological singularity refers to the hypothetical future emergence of greater-than-human intelligence through technological means. Since the capabilities of such an intelligence would be difficult for an unaided human mind to comprehend, the occurrence of a technological singularity is seen as an intellectual event horizon, beyond which the future becomes difficult to understand or predict. Nevertheless, proponents of the singularity typically anticipate such an event to precede an “intelligence explosion”, wherein superintelligences design successive generations of increasingly powerful minds. The term was coined by science fiction writer Vernor Vinge, who argues that artificial intelligence, human biological enhancement or brain-computer interfaces could be possible causes of the singularity. The concept is popularized by futurists like Ray Kurzweil and it is expected by proponents to occur around 2045.

leonid tsvetkov

leonid tsvetkov

Technological Evolution

februari 1st, 2011

Charley Reijnders
Evolution, 2009

charley reijnders evolution

charley reijnders evolution

Like an old fashioned explorer Charley Reijnders wondered around on her self invented ‘Island of Products’ where a remarkable evolution took place after the disappearance of their human creators. Without any interference the new mechanical species evolved from the discarded mass consumer products of a long gone past. In a sketchbook she tried to capture all this new marvels of evolution.

charley reijnders sketchbook

charley reijnders evolution

According to Ray Kurzweil, the line between humans and machines will blur as machines attain human-level intelligence and humans start upgrading themselves with cybernetic implants. These implants will greatly enhance human cognitive and physical abilities, and allow direct interface between humans and machines.

‘Once life takes hold on a planet, we can consider the emergence of technology as inevitable. The ability to expand the reach of one’s physical capabilities, not to mention mental facilities, through technology is clearly useful for survival. Technology has enabled our subspecies to dominate its ecological niche. Technology requires two attributes of its creator: intelligence and the physical ability to manipulate the environment. This ability to use limited resources optimally, is inherently useful for survival, so it is favored. The ability to manipulate the environment is also useful; otherwise an organism is at the mercy of its environment for safety, food, and the satisfaction of its other needs. Sooner or later, an organism is bound to emerge with both attributes.

As technology is the continuation of evolution by other means, it shares the phenomenon of an exponentially quickening pace. The word is derived from the Greek tekhn¯e, which means “craft” or “art,” and logia, which means “the study of.” Thus one interpretation of technology is the study of crafting, in which crafting refers to the shaping of resources for a practical purpose.’ (abstract of Ray Kurzweils ‘The Age of Spiritual Machines’)

When a scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong. The only way of discovering the limits of the possible is to venture a little way past them into the impossible. Any sufficiently advanced technology is indistinguishable from magic.
– Arthur C. Clarke’s three laws of technology

When Suddenly It Hit Me

november 8th, 2010

Rinus Van de Velde
Physical Items Themselves Are Not Evidence, 2009

rinus van de velde

Rinus Van de Velde uses signs as a means to put a recalcitrant reality in order. His starting point is shaped through the world of photographic representation. Having an extensive personal archive of images ranging from (semi)scientific magazines such as the National Geographic to biographies of artists and scientists, these images form a rich source for series of drawings in which the source material is still recognizably present. The resemblance between all these pictures is not so much what they show but how they show it. By using the photographs as material for a drawing and by situating it in a different context by adding text, Van de Velde ignores the facts and creates space to tell a personal story. The aim isn’t to tell the reality behind the photo but to create third degree myth. Many of the photographs that Van de Velde references are part of an ideology that isn’t completely right or which hasn’t survived the test of time: like the deep rooted faith in the myth of the artist as authentic or autonomous, scientific progress or paternal exotism. Instead of dismantling, Van de Velde weaves through text and reciprocally references a new story. The result is a sort of mirror-universe, inhabited by brave alter-egos that map the world around them and function as ideal representatives of the actual artist.

When Suddenly It Hit Me, 2009

rinus van de velde

Maarten Vanden Eynde
Dip-Stick, 2005

Maarten Vanden Eynde dip-stick

Small wooden sculpture, planed square on one side, the other is inflicted like a burned lump or black tumor, like a stick dipped in dark matter.

Air-Port-City

november 2nd, 2010

Tomás Saraceno
Iridescent Plant Medium with Lamp, 2009

tomas saraceno

The luminous and roughly human-height Iridescent Plant Medium with Lamp consists of a sphere dressed in a billowing sheath of iridescent foil in a dark room. Thoroughly otherworldly, the orb shivers and cowers in the corner like a specimen from space. NASA, it should be noted, sent plants on early space missions and began experimenting with aeroponics in the late 1990s. One can imagine the possibility of future cosmic plantations, a vision clearly encouraged by Saraceno’s installation.- Based on a text by Erin Rouse -

Sunny Day, Air-Port-City, 2006

tomas saraceno

As an architect Saraceno has for years been looking into the possibility of using large balloon-like constructions to enable the free circulation of persons and goods across the entire globe.

The Controller of the Universe

oktober 14th, 2010

Damián Ortega
Controller of the Universe, 2007

damian ortega controller of the universe

Damián Ortega’s Controller of the Universe, a series of found hand tools suspended in mid air, is a site of danger and otherworldliness. As if in mid explosion emanating from a center, it appears as though a force of nature has frozen them in time and space.

Cosmic Things, 2002

damian ortega cosmic thing

Transgenic Life found in the Smithsonian Institute

oktober 4th, 2010

center for postnatural history

Arabidopsis thaliana is a small unremarkable plant found growing along roadsides, in fields and wastlands of the northern hemisphere. Its apparent simplicity and relatively quick growing cycle made is a good candidate for researchers studying genetics during the middle part of the 20th century. In the 1970′s Arabidopsis thaliana’s life and habitat changed rapidly. Researchers at Stanford University had developed a technique for using bacteria to insert foreign genes into the genome of Arabidopsis. In doing so, Arabidopsis become the first “transgenic” plant. With the advent of the commercial biotech industry in the 80′s, the familiar plant began taking up residence in climate controlled research labs all over the world. It is now considered one of the “standard model organisms” which scientists use to try and understand life, and engineers use to try to find new uses for life.

A single specimen of Transgenic Arabidopsis thaliana rests in the species’ “United States” collection folder in the botany collection at the Smithsonian. Wedge amidst its wilder relatives, it is an oddity amongst its closest kin, but also within the Museum of Natural History on the whole where it remains possibly the only genetically engineered specimen within the collection.

Source: The Center for PostNatural History

The Center for PostNatural History is dedicated to the advancement of knowledge relating to the complex interplay between culture, nature and biotechnology. The PostNatural  refers to living organisms that have been altered through processes such as selective breeding or  genetic engineering. The mission of the Center for PostNatural History is to acquire, interpret and provide access to a collection of living, preserved and documented organisms of postnatural origin.

Caddisfly Construstions

augustus 6th, 2010

Felix van de Beek
Little Architects
, 1979 - 1981

caddis-fly

Caddisflies, aquatic insects of the order of Trichoptera are known all over the world. They are tiny nocturnal butterflies whose larvae feed on micro-organisms in non-polluted freshwater. In order to protect an extremely vulnerable abdomen, the larvae of a certain group constructs a portable case or tube consisting of mucus, bits of leaves, sand, etc. Mainly working in nightshifts it takes these one-centimeter-long little architects a week to complete their job. In natural surroundings the cases all look alike. This is not surprising as the material on hand differs very little. But what happens if the supply of stock is changed?

Felix van de beek

Felix van de beek

It presented no problem to the grubs. They used everything that was availeable, organic as well as inorganic: ironfilings, wood-chippings, beads, glass-splinters, bits of plastic and so on.

P.S. For the concerned animal lovers in the world: as for the larvae used in the project all flew happily out after the chrysalis stage

Based on a text by Pieter Beek

The Synthetic Kingdom

augustus 5th, 2010

Alexandra Daisy Ginsberg
A Natural History of the Synthetic Future, 2009

Synthetic Kingdom

The New Tree of Life 

How will we classify what is natural or unnatural when life is built from scratch?  Synthetic Biology is turning to the living kingdoms for its materials library. No more petrochemicals: instead, pick a feature from an existing organism, locate its DNA code and insert it into a biological chassis. From DIY hacked bacteria to entirely artificial, corporate life-forms, engineered life will compute, produce energy, clean up pollution, make self-healing materials, kill pathogens and even do the housework. Manufacturers will transcend biomimicry, engineering bacteria to secrete keratin for sustainable vacuum cleaner casings; synthesise biodegradable gaskets from abalone shell proteins and fill photocopier toner cartridges with photosensitive E. coli.  Meanwhile, we’ll have to add an extra branch to the Tree of Life. The Synthetic Kingdom is part of our new nature.  Biotech promises us control over the natural world, but living machines need controlling. Biology doesn’t respect boundaries or patents. And in simplifying life to its molecular interactions, might we accidentally degrade our sense of self? Are promises of sustainability and unparalleled good health seductive enough to accept such compromise? - Alexandra Daisy Ginsberg

Synthetic Kingdom

POLLUTION-SENSING LUNG TUMOR Terminal pathology from female smoker, 64 years of age. Analysis identified a novel species of silicon fabricator containing DNA from Japanese carbon monoxide detectors (manufacturer’s DNA tag intact). A double disease: her lungs grew carbon monoxide-sensing crystals in response to the presence of pollutants in her lungs.

Interactive Hunting Trophies

juli 28th, 2010

France Cadet
Hunting Trophies, 2008

France Cadet Trophy

Cervus Elaphus Barbarus (North Africa Deer)

Hunting Trophies is a collection of 11 hunting trophies hung on the wall. They feature the most frequent species used in taxidermy for the realization of wall trophies, mainly deer and cat family. Instead of being real taxidermied animals they are chests of modified I-Cybie robots.  An infrared sensor allows the robots, each in its own way, to detect the presence but also the movements of visitors. As you approach, the robots turn their heads in your direction, their eyes light up, come too close and the robot suddenly growls. The closer you get, the more aggressive its behaviour.

France Cadet Trophy

France Cadet Trophy

The New World Order

april 11th, 2010

Bob de Graaf
On the Crossing of Species, 2010

bob de graaf

Limbs

1.  SPIDER’S LEG
2.  POLYCARBONATE PRICE HOLDER
3.  IRON HOOK
4.  BEND NAIL
5.  SCORPION’S LEG
6.  LIZARD’S LEG
7.  GRASSHOPPER’S LEG
8.  SAFETY PIN
9.  PRAYING MANTIS FRONT LEG
10. FIREBUG’S LEG
11. FRAME HOLDER
12. LADYBUG’S LEG

13.
IRON HOOKNAIL

Bob de Graaf made a catalogue of different parts of animals and objects which he found in his surroundings.
‘My collection can be used to create a new order of species. By using the natural lifecycle of animals in everyday objects an evolutionary up-cycle can replace linear production systems. By breeding animal-like objects or object-like animals, we can construct a practical class of species.’

bob de graaf

Vanescrew (Synthia) Slotta, 2010

bob de graaf

Pieron (Artogeia) Napil, 2010

bob de graaf

GIY (Grow It Yourself)

maart 19th, 2010

Alexandra Daisy Ginsberg (with Sascha Pohflepp)
Growth Assembly, 2009

Alexandra Daisy Ginsberg

Herbicide Sprayer (Nozzle Fruit)

Alexandra Daisy Ginsberg

Herbicide Gourd

Alexandra Daisy Ginsberg

Spike

Alexandra Daisy Ginsberg

Handle 

Alexandra Daisy Ginsberg

Connector

After the cost of energy had made global shipping of raw materials and packaged goods unimaginable, only the rich could afford traditional, mass-produced commodities.

Synthetic biology enabled us to harness our natural environment for the production of things. Coded into the DNA of a plant, product parts grow within the supporting system of the plant’s structure. When fully developed, they are stripped like a walnut from its shell or corn from its husk, ready for assembly.

Shops have evolved into factory farms as licensed products are grown where sold. Large items take time to grow and are more expensive while small ones are more affordable. The postal service delivers lightweight seed-packets for domestic manufacturers.

Using biology for the production of consumer goods has reversed the idea of industrial standards, introducing diversity and softness into a realm that once was dominated by heavy manufacturing.

Alexandra Daisy Ginsberg

The product shown here is the Herbicide Sprayer, an essential commodity used to protect delicate engineered horticultural machines from older nature.

Modern Fossils

maart 10th, 2010

Hester Oerlemans
Modern Fossils in asphalt, 2003

modern fossils

Recognisable objects like a wind rose, a mobile phone, a key, a pair of scissors, a safety pin, a ring and also words and poems were rolled into the still hot asphalt of the constructed footpath. They are ‘modern fossils’ that carry the past with them in a playful way. Hester Oerlemans collected these ‘fossils’ together with the residents and personnel of nursing home ‘t Laar and had them placed over the entire stretch of the two hundred meter long footpath, connecting the new and the old part of nursing home ‘t Laar.

modern fossils

Plastic Reef

januari 28th, 2010

From the 27th of January until the 12th of February 2010 I will be crossing the Atlantic Ocean on the Sea Dragon to look for plastic debris to feed the growing plastic reef below. Starting in Bermuda I will look for remnants of a society that still needs to disappear. You can follow the adventure on www.plasticreef.com

plastic reef

Earth Without People

december 1st, 2009

Alan Weisman
Earth Without People, 2005

Given the mounting toll of fouled oceans, overheated air, missing topsoil, and mass extinctions, we might sometimes wonder what our planet would be like if humans suddenly disappeared. Would Superfund sites revert to Gardens of Eden? Would the seas again fill with fish? Would our concrete cities crumble to dust from the force of tree roots, water, and weeds? How long would it take for our traces to vanish? And if we could answer such questions, would we be more in awe of the changes we have wrought, or of nature’s resilience?A good place to start searching for answers is in Korea, in the 155-mile-long, 2.5-mile-wide mountainous Demilitarized Zone, or DMZ, set up by the armistice ending the Korean War. Aside from rare military patrols or desperate souls fleeing North Korea, humans have barely set foot in the strip since 1953. Before that, for 5,000 years, the area was populated by rice farmers who carved the land into paddies. Today those paddies have become barely discernible, transformed into pockets of marsh, and the new occupants of these lands arrive as dazzling white squadrons of red-crowned cranes that glide over the bulrushes in perfect formation, touching down so lightly that they detonate no land mines. Next to whooping cranes, they are the rarest such birds on Earth. They winter in the DMZ alongside the endangered white-naped cranes, revered in Asia as sacred portents of peace.

If peace is ever declared, suburban Seoul, which has rolled ever northward in recent decades, is poised to invade such tantalizing real estate. On the other side, the North Koreans are building an industrial megapark. This has spurred an international coalition of scientists called the DMZ Forum to try to consecrate the area for a peace park and nature preserve. Imagine it as “a Korean Gettysburg and Yosemite rolled together,” says Harvard University biologist Edward O. Wilson, who believes that tourism revenues could trump those from agriculture or development.

As serenely natural as the DMZ now is, it would be far different if people throughout Korea suddenly disappeared. The habitat would not revert to a truly natural state until the dams that now divert rivers to slake the needs of Seoul’s more than 20 million inhabitants failed—a century or two after the humans had gone. But in the meantime, says Wilson, many creatures would flourish. Otters, Asiatic black bears, musk deer, and the nearly vanquished Amur leopard would spread into slopes reforested with young daimyo oak and bird cherry. The few Siberian tigers that still prowl the North Korean–Chinese borderlands would multiply and fan across Asia’s temperate zones. “The wild carnivores would make short work of livestock,” he says. “Few domestic animals would remain after a couple of hundred years. Dogs would go feral, but they wouldn’t last long: They’d never be able to compete.”

If people were no longer present anywhere on Earth, a worldwide shakeout would follow. From zebra mussels to fire ants to crops to kudzu, exotics would battle with natives. In time, says Wilson, all human attempts to improve on nature, such as our painstakingly bred horses, would revert to their origins. If horses survived at all, they would devolve back to Przewalski’s horse, the only true wild horse, still found in the Mongolian steppes. “The plants, crops, and animal species man has wrought by his own hand would be wiped out in a century or two,” Wilson says. In a few thousand years, “the world would mostly look as it did before humanity came along—like a wilderness.”

The new wilderness would consume cities, much as the jungle of northern Guatemala consumed the Mayan pyramids and megalopolises of overlapping city-states. From A.D. 800 to 900, a combination of drought and internecine warfare over dwindling farmland brought 2,000 years of civilization crashing down. Within 10 centuries, the jungle swallowed all.

Mayan communities alternated urban living with fields sheltered by forests, in contrast with today’s paved cities, which are more like man-made deserts. However, it wouldn’t take long for nature to undo even the likes of a New York City. Jameel Ahmad, civil engineering department chair at Cooper Union College in New York City, says repeated freezing and thawing common in months like March and November would split cement within a decade, allowing water to seep in. As it, too, froze and expanded, cracks would widen. Soon, weeds such as mustard and goosegrass would invade. With nobody to trample seedlings, New York’s prolific exotic, the Chinese ailanthus tree, would take over. Within five years, says Dennis Stevenson, senior curator at the New York Botanical Garden, ailanthus roots would heave up sidewalks and split sewers.

That would exacerbate a problem that already plagues New York—rising groundwater. There’s little soil to absorb it or vegetation to transpire it, and buildings block the sunlight that could evaporate it. With the power off, pumps that keep subways from flooding would be stilled. As water sluiced away soil beneath pavement, streets would crater.

Eric Sanderson of the Bronx Zoo Wildlife Conservation Society heads the Mannahatta Project, a virtual re-creation of pre-1609 Manhattan. He says there were 30 to 40 streams in Manhattan when the Dutch first arrived. If New Yorkers disappeared, sewers would clog, some natural watercourses would reappear, and others would form.Within 20 years, the water-soaked steel columns that support the street above the East Side’s subway tunnels would corrode and buckle, turning Lexington Avenue into a river.

New York’s architecture isn’t as flammable as San Francisco’s clapboard Victorians, but within 200 years, says Steven Clemants, vice president of the Brooklyn Botanic Garden, tons of leaf litter would overflow gutters as pioneer weeds gave way to colonizing native oaks and maples in city parks. A dry lightning strike, igniting decades of uncut, knee-high Central Park grass, would spread flames through town.

As lightning rods rusted away, roof fires would leap among buildings into paneled offices filled with paper. Meanwhile, native Virginia creeper and poison ivy would claw at walls covered with lichens, which thrive in the absence of air pollution. Wherever foundations failed and buildings tumbled, lime from crushed concrete would raise soil pH, inviting buckthorn and birch. Black locust and autumn olive trees would fix nitrogen, allowing more goldenrods, sunflowers, and white snakeroot to move in along with apple trees, their seeds expelled by proliferating birds. Sweet carrots would quickly devolve to their wild form, unpalatable Queen Anne’s lace, while broccoli, cabbage, brussels sprouts, and cauliflower would regress to the same unrecognizable broccoli ancestor.

Unless an earthquake strikes New York first, bridges spared yearly applications of road salt would last a few hundred years before their stays and bolts gave way (last to fall would be Hell Gate Arch, built for railroads and easily good for another thousand years). Coyotes would invade Central Park, and deer, bears, and finally wolves would follow. Ruins would echo the love song of frogs breeding in streams stocked with alewives, herring, and mussels dropped by seagulls. Missing, however, would be all fauna that have adapted to humans. The invincible cockroach, an insect that originated in the hot climes of Africa, would succumb in unheated buildings. Without garbage, rats would starve or serve as lunch for peregrine falcons and red-tailed hawks. Pigeons would genetically revert back to the rock doves from which they sprang.

It’s unclear how long animals would suffer from the urban legacy of concentrated heavy metals. Over many centuries, plants would take these up, recycle, redeposit, and gradually dilute them. The time bombs left in petroleum tanks, chemical plants, power plants, and dry-cleaning plants might poison the earth beneath them for eons. One intriguing example is the former Rocky Mountain Arsenal next to Denver International Airport. There a chemical weapons plant produced mustard and nerve gas, incendiary bombs, napalm, and after World War II, pesticides. In 1984 it was considered by the arsenal commander to be the most contaminated spot in the United States. Today it is a national wildlife refuge, home to bald eagles that feast on its prodigious prairie dog population.

However, it took more than $130 million and a lot of man-hours to drain and seal the arsenal’s lake, in which ducks once died minutes after landing and the aluminum bottoms of boats sent to fetch their carcasses rotted within a month. In a world with no one left to bury the bad stuff, decaying chemical containers would slowly expose their lethal contents. Places like the Indian Point nuclear power plant, 35 miles north of Times Square, would dump radioactivity into the Hudson long after the lights went out.

Old stone buildings in Manhattan, such as Grand Central Station or the Metropolitan Museum of Art, would outlast every modern glass box, especially with no more acid rain to pock their marble. Still, at some point thousands of years hence, the last stone walls—perhaps chunks of St. Paul’s Chapel on Wall Street, built in 1766 from Manhattan’s own hard schist—would fall. Three times in the past 100,000 years, glaciers have scraped New York clean, and they’ll do so again. The mature hardwood forest would be mowed down. On Staten Island, Fresh Kills’s four giant mounds of trash would be flattened, their vast accumulation of stubborn PVC plastic and glass ground to powder. After the ice receded, an unnatural concentration of reddish metal—remnants of wiring and plumbing—would remain buried in layers. The next toolmaker to arrive or evolve might discover it and use it, but there would be nothing to indicate who had put it there.

Before humans appeared, an oriole could fly from the Mississippi to the Atlantic and never alight on anything other than a treetop. Unbroken forest blanketed Europe from the Urals to the English Channel. The last remaining fragment of that primeval European wilderness—half a million acres of woods straddling the border between Poland and Belarus, called the Bialowieza Forest—provides another glimpse of how the world would look if we were gone. There, relic groves of huge ash and linden trees rise 138 feet above an understory of hornbeams, ferns, swamp alders, massive birches, and crockery-size fungi. Norway spruces, shaggy as Methuselah, stand even taller. Five-century-old oaks grow so immense that great spotted woodpeckers stuff whole spruce cones in their three-inch-deep bark furrows. The woods carry pygmy owl whistles, nutcracker croaks, and wolf howls. Fragrance wafts from eons of mulch.

High privilege accounts for such unbroken antiquity. During the 14th century, a Lithuanian duke declared it a royal hunting preserve. For centuries it stayed that way. Eventually, the forest was subsumed by Russia and in 1888 became the private domain of the czars. Occupying Germans took lumber and slaughtered game during World War I, but a pristine core was left intact, which in 1921 became a Polish national park. Timber pillaging resumed briefly under the Soviets, but when the Nazis invaded, nature fanatic Hermann Göring decreed the entire preserve off limits. Then, following World War II, a reportedly drunken Josef Stalin agreed one evening in Warsaw to let Poland retain two-fifths of the forest.

To realize that all of Europe once looked like this is startling. Most unexpected of all is the sight of native bison. Just 600 remain in the wild, on both sides of an impassable iron curtain erected by the Soviets in 1980 along the border to thwart escapees to Poland’s renegade Solidarity movement. Although wolves dig under it, and roe deer are believed to leap over it, the herd of the largest of Europe’s mammals remains divided, and thus its gene pool. Belarus, which has not removed its statues of Lenin, has no specific plans to dismantle the fence. Unless it does, the bison may suffer genetic degradation, leaving them vulnerable to a disease that would wipe them out.

If the bison herd withers, they would join all the other extinct megafauna that even our total disappearance could never bring back. In a glass case in his laboratory, paleoecologist Paul S. Martin at the University of Arizona keeps a lump of dried dung he found in a Grand Canyon cave, left by a sloth weighing 200 pounds. That would have made it the smallest of several North American ground sloth species present when humans first appeared on this continent. The largest was as big as an elephant and lumbered around by the thousands in the woodlands and deserts of today’s United States. What we call pristine today, Martin says, is a poor reflection of what would be here if Homo sapiens had never evolved.

“America would have three times as many species of animals over 1,000 pounds as Africa does today,” he says. An amazing megafaunal menagerie roamed the region: Giant armadillos resembling armor-plated autos; bears twice the size of grizzlies; the hoofed, herbivorous toxodon, big as a rhinoceros; and saber-toothed tigers. A dozen species of horses were here, as well as the camel-like litoptern, giant beavers, giant peccaries, woolly rhinos, mammoths, and mastodons. Climate change and imported disease may have killed them, but most paleontologists accept the theory Martin advocates: “When people got out of Africa and Asia and reached other parts of the world, all hell broke loose.” He is convinced that people were responsible for the mass extinctions because they commenced with human arrival everywhere: first, in Australia 60,000 years ago, then mainland America 13,000 years ago, followed by the Caribbean islands 6,000 years ago, and Madagascar 2,000 years ago.

Yet one place on Earth did manage to elude the intercontinental holocaust: the oceans. Dolphins and whales escaped for the simple reason that prehistoric people could not hunt enough giant marine mammals to have a major impact on the population. “At least a dozen species in the ocean Columbus sailed were bigger than his biggest ship,” says marine paleoecologist Jeremy Jackson of the Smithsonian Tropical Research Institute in Panama. “Not only mammals—the sea off Cuba was so thick with 1,000-pound green turtles that his boats practically ran aground on them.” This was a world where ships collided with schools of whales and where sharks were so abundant they would swim up rivers to prey on cattle. Reefs swarmed with 800-pound goliath grouper, not just today’s puny aquarium species. Cod could be fished from the sea in baskets. Oysters filtered all the water in Chesapeake Bay every five days. The planet’s shores teemed with millions of manatees, seals, and walrus.

Within the past century, however, humans have flattened the coral reefs on the continental shelves and scraped the sea grass beds bare; a dead zone bigger than New Jersey grows at the mouth of the Mississippi; all the world’s cod fisheries have collapsed. What Pleistocene humans did in 1,500 years to terrestrial life, modern man has done in mere decades to the oceans—“almost,” Jackson says. Despite mechanized overharvesting, satellite fish tracking, and prolonged butchery of sea mammals, the ocean is still bigger than we are. “It’s not like the land,” he says. “The great majority of sea species are badly depleted, but they still exist. If people actually went away, most could recover.”

Even if global warming or ultraviolet radiation bleaches the Great Barrier Reef to death, Jackson says, “it’s only 7,000 years old. New reefs have had to form before. It’s not like the world is a constant place.” Without people, most excess industrial carbon dioxide would dissipate within 200 years, cooling the atmosphere. With no further chlorine and bromine leaking skyward, within decades the ozone layer would replenish, and ultraviolet damage would subside. Eventually, heavy metals and toxins would flush through the system; a few intractable PCBs might take a millennium.

During that same span, every dam on Earth would silt up and spill over. Rivers would again carry nutrients seaward, where most life would be, as it was long before vertebrates crawled onto the shore. Eventually, that would happen again. The world would start over.

Originally appeared in Discover Magazine, February, 2005. Copyright © 2005 by Alan Weisman.

Zoology

november 25th, 2009

\ Zoology of Genetology \ ZG \ 1
Third quire of Genetology, November 2009

Zoology of Genetology

Zoology of Genetology

Size: 100 x 70 cm (poster) 50 x 70 cm (folded)
Published by Galerie Kunst-Zicht (UGent)
Text: Alan Weisman
Design: Raf Vancampenhoudt
Editor: Willem Vanden Eynde